Out August 30, 2019.
***Limited Edition Version: Edition of 250 hand-numbered copies, comes with alternate screen printed, wrap around sleeve, wax sealed LP pressed on half black/half white color vinyl, available by mail-order only. ONE PER PERSON LIMIT.***
***Sacred Bones Record Society version: Edition of 150 hand-numbered copies, comes with alternate screen printed, wrap around sleeve, wax sealed LP pressed on Society-exclusive "graphite splatter" color vinyl, and a Society-exclusive mixed tape, available by mail-order only. ENROLL HERE.**
Devour marks the fourth full-length record from Margaret Chardiet’s project Pharmakon and her most intense output to date. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony.
The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game.